My Top Ten Shows of 2019

I saw forty-six shows in 2019, which exceeded my goal of thirty shows by far. Of course, it's not anywhere close to the amount of theatre that I saw in 2018, but New York prices are a lot higher than London prices. I saw a few West End Shows, a good number of Broadway shows, some off-Broadway and even off-off-Broadway (while reviewing for BroadwayWorld), a few US Tours, and some great theatre here in Raleigh, North Carolina.


I realized that my favorites this year are very musical heavy, with only one play featured. I did see quite a few plays, but they didn't leave as much as an impact as many of the musicals did.

And yes, I realize that I'm a bit late in sharing these as it's already February, but January seemed to fly by. Without further ado, here are my top ten shows I saw in 2019 in no particular order.

Company
The gender-swapped London revival of "Company" was without a doubt my favorite show that I saw all year. In fact, I saw it twice in a two week period because I loved it so much. I think "Company" has some of Sondheim's best songs in it ("Marry Me a Little" is my personal favorite) and this new production was so well-acted, well-designed, and well-directed by visionary Marianne Elliot. I loved the gender-swapped version so much and I think the show works so much better centered around a woman that I never want to see a traditional production again. I'm very much looking forward to seeing the production on Broadway this spring, though my heart belongs to the London cast.

The Lightning Thief - Review
I was obsessed with the Percy Jackson books in middle school, so when I found out the tour of the musical was coming to New York, I had to go. This plucky little show far exceeded my expectations. The album is full of bops (I especially love "Good Kid" and "My Grand Plan") and Chris McCarrell was the Percy Jackson of dreams. It almost feels unfair to compare this to the horrendous movie adaptation, but I'll just say that this is the adaptation of "The Lightning Thief" that I wanted for so long.

Burn This 
Sometimes I think about how I met Adam Driver at the stage door of this play and want to pinch myself. "Burn This" is a really fascinating four-person show and while the play itself wasn't my favorite, the production was amazing. The whole cast was great, but Driver was really magnetic and I totally understand why he was nominated for a Tony for it.

Beetlejuice 
This was definitely my biggest surprise of the year. I went to its very first performance in New York and it blew me away. It has one of the best and most original scores I've heard on Broadway in a while and it's one of the few movie to musical adaptations where I think the musical actually improves upon the movie. Plus, Alex Brightman and Sophia Ann Caruso are both otherworldly.

My Fair Lady - Review
I ended up seeing this show three times because I fell so head over heels for it. I loved "My Fair Lady" as a kid, but was disappointed by its sexism as an adult. Well, this beautifully designed production definitely subtly updates it for a modern audience and Laura Benanti's strong Eliza is the stuff of dreams. Plus, Harry Hadden-Paton's Henry Higgins broke my heart while never losing what makes him the antagonist of this show.

In the Green 
I love a show based on a historical figure, I love a show that takes risks, and I love a show written by a woman. So "In the Green" was pretty much a perfect fit for me. This was the last show I saw in New York before I moved and it was such a perfect match for the intimate theatre at the Lincoln Center. Powerhouse Grace McLean is doing really exciting and fresh things both narratively and musically.

Hadestown - Video
Apparently I just love shows about Greek mythology? "Hadestown" is not just one of the best shows I saw in 2019, but one of the best shows I've ever seen. It's a gorgeous and moving story about Orpheus and Eurydice, Hades and Persephone. The music by Anais Mitchell is absolute perfection and the direction by Rachel Chavkin is every bit as incredible as you would expect from the woman who directed "Great Comet." Plus, Amber Gray's Persephone might be my favorite Supporting Actress performance I've ever seen.

Oklahoma - Video
If you'd told me last year that a production of "Oklahoma" would be one of my favorite shows of 2019, I would have laughed. But the recent revival completely reinvented the show, illuminating all of the faults of the characters and how the show can speak to Trump's America. The performances from the whole cast were incredible, but Patrick Vaill's Jud was truly something special. And they served cornbread and vegan chili at intermission! It doesn't get much better than that.

The Bridges of Madison County - Review
I actually didn't know much about "The Bridges of Madison County" going into it, although I knew that my mom (who went with me) liked the movie. The production by Theatre Raleigh directed by Lauren Kennedy was stunning. It absolutely blew me away both in its interesting exploration of difficult topics and the gorgeous songs crafted by Jason Robert Brown. The costumes were great and the whole cast (especially Janine DiVita) were spectacular.

Ragtime - Review
"Ragtime" has been one of my favorite shows since I saw it at Elon University my freshman year. It was very exciting to get to see it done by a local theatre company with a fellow Elon alum as Coalhouse Walker Jr. The production was a really interesting updated version that showcased how relevant it is to our country's politics right now.

What are your favorite shows you saw in 2019? Let me know in the comments or on Twitter. x

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